This is long. Don't say I didn't warn you!
In an attempt to be both deep and lame, I’ve always dubbed 'Silverchair’s discography' as 'my biography'. There was just such an uncanny coincidence with the release of their albums, what the songs on the albums were about and what I happened to be going through in my life at that point as far as anguish and sorrow went. I don’t want to make it as if I was a miserable and depressed kid. I was extremely jovial with a great sense of joie-de-vivre, but like many young adolescents and teenagers, I had my dark moments where I found myself huffy; angry, insurgent and maybe feeling a little maddened. You know, "Oh woe is me!" Ah, us teenage girls.
As I grew, so did Daniel as a songwriter; a composer. All of the band's albums were relative to me from the innocent age of 12 up into my early twenties.
Though the gritty guitar rifs were fitting once upon a time, they eventually lost their grip on me. They never lost their meaning, as you can never disconnect yourself from yourself at any point in time or era, but once I reached my early twenties I was looking for something more.
I was 20 years old when Diorama was released in 2002; when Silverchair did something that no one thought could be done.
They became...happy.
The sound of the album was completely different from anything Silverchair had ever, ever done before. Silverchair worked with composer Van Dyke Parks to construct numerous orchestral arrangements and power ballads. The post-grunge influence on previous work was replaced with highly complex song structures complete with string and horn ensembles. It was epic. To put it plainly and simply, the songs on this album were just extremely colourful, hopeful and heavenly.
I had taken a job as a data entry clerk when I was 21 years old and in college, studying journalism. The 'data entry' position was for Norris-Whitney Communications, which is the publisher of four renowned Canadian music industry magazines: Canadian Musician, Canadian Music Trade, Professional Lighting and Professional Sound. It was the perfect opportunity to get my foot in the door. There was nothing else I wanted to do with my Journalism diploma but write in the music industry. If that wasn't going to happen, I was going to accept the fact that I'd wasted thousands of dollars, two years of my time and move on. But, I wasn't going to go down without a fight; without trying my best. Little did I know I’d not only achieve that, but I’d also encounter the biggest accomplishment of my life at the young age of 21.
I shared an office with my Editor. I’d been telling him that Silverchair had announced tour dates to promote Diorama, and that they announced not one, but TWO Toronto dates – a Friday and a Saturday night. My friends and I purchased tickets for both nights, of course.
That was when my Editor then suggested an interview with Daniel for Canadian Musician.
I laughed, but he wasn’t kidding. I didn’t want to get my hopes up, but I obviously encouraged the idea. He claimed that he could likely only get me a telephone interview. Yeah, "only" a telephone interview with Daniel Johns. Oh, the travesty. As if I had it in my cards to ever be in the same room as him...
Silverchair’s Canadian Representative was at Warner Music. My Editor put in a call, but the Rep was away on vacation for a few weeks, and the show was only a month away. (Insert: sad trumpet sound.)
But hey, it was really cool that my Editor was considerate enough to try. I was happy with that alone. I mean geez, I was a small town girl. I didn’t expect anything big to ever happen to me. I figured my one and only “famous encounter" would have been Fred Penner when he played at Centennial High School when I was six years old.
OH, FRED!
It was a Tuesday afternoon. In fact, it was the Tuesday before ‘Silverchair Weekend’. I was sitting in my office typing up an article when my Editor got a phone call from Warner Music.
I listened in like a little creeper, almost knocking over the partition in our office.
“Cambridge Suites Hotel, 2 p.m. Saturday. Okay, that’s great. Thanks for getting back.”
I didn’t know what to think. Why did he mention a hotel?
I poked my head up over my office partition like a freaking prairie dog and asked, “What was that?”
“You’re meeting Daniel Johns.”
My heart dropped into my stomach, and well, my stomach nearly dropped into my pants - you know what I mean, Jean?
The entire feeling was quite surreal. I thought my initial reaction would have involved some tears, possibly some hyperventilating like a pre-teen at a Hanson concert (I would know, lol) but no. I was mostly numb. I was bearing a huge goofy grin, but I was in complete and utter shock.
I couldn’t believe it up until that Saturday, when I woke up with a pounding headache as well as bruised and cracked ribs from Silverchair’s show the night before where I spent the entire night in the front row being smashed and thrown against the barricade.
Sidenote: I hate supersized crowd surfers.
I arrived in Toronto for 1 p.m. For the entire drive up, I sat in quiet contemplation...
What if he’s a dick to me? What if he thinks my questions are stupid? What if he doesn’t answer my questions properly and I walk away with nothing to work with? WHAT IF HE’S A DICK TO ME??
I was terrified that Daniel Johns would be a douche. I mean, it would ruin everything he'd ever been to me, you know?
You see, the thing about Daniel Johns was that his persona was almost impossible to identify. In some interviews he was unresponsive – like he didn’t want to be there. In other interviews, he’d make snarky comments following dumb questions. Yet sometimes he’d come off as eloquent and polite. Even in performances, his attitude would vary. Sometimes he was down to business, and other times, he was hammered, silly and seemed like the kind of guy you'd want to share a few beers with. So basically, despite following Silverchair for as long as I had, I had absolutely NO idea what to expect as far as his personality went. I had no idea what to expect from him that day, with me.
I approached the Hotel by foot at around 1:45 p.m. This is when my heart started slamming the inside of my chest like a sledgehammer. I hoped it would calm down, because if it didn’t, I figured he’d most definitely hear it.
There were some fans standing around knowing full well that Silverchair had been staying there. Obviously they were waiting to catch a glimpse, and obviously in my head the infamous Nelson "HAW-haw!" chimed through my head. If they only knew where I was headed ;)
I made my way to the lobby where I was to meet with the Rep from Warner Music and sat down. The décor was very 1990s. The couches were sea foam green and the exaggerated patterns on the carpet burned my eyes with dusty rose and teal swirls. A concierge smiled and nodded at me from behind the counter. I smirked as I swallowed the lump in my throat.
A nerdy looking middle-aged man entered the lobby, literally out of nowhere, and sat across from me. He was on his cell phone and was going over some paperwork attached to a clip board. When his conversation ended, he looked up at me and smiled.
“Are you Rob from Warner Music?” I asked.
He sure was.
He extended his hand and shook mine.
We engaged in some small talk and learned that we grew up a town over from one another. The “it’s such a small world!” feel to our conversation really put me at ease. As we laughed, a tall, rugged middle aged man joined us. He seemed to have already met Rob. Rob introduced us by first name only, but it didn’t take me very long to figure out who he was once he started speaking. I knew he’d looked familiar, and the Australian accent confirmed my assumption. It was John Watson, Silverchair’s manager since their beginning in 1995.
He sat next to me on the ugly pastel couch and we engaged in some good conversation. He was extremely down to earth. He brought up Silverchair’s latest album, Diorama, and what made me feel extremely confident and amazing was that every opinion or thought I had on the album, he excitedly agreed with.
While lost in conversation with Silverchair’s manager, the elevator light lit up and chimed. The gaudy golden mirrored elevator doors slid open, and out came Ben Gillies (drummer) and Chris Joannou (bassist). WHAT?!
I had no idea that I was going to meet them, too.
John Watson launched himself off of the couch and rushed over to the two, explaining that he was going to take them to a separate room for their own interview, which was different from Daniel’s. He then looked over at me and nodded for me to go over.
I somehow managed to fight the jellies in my knee caps and made my way over to them and was introduced. We all shook hands. They were incredibly polite!
As Rob (Warner Music) and John (Manager) led Ben and Chris out of the lobby to their interview, I sat back down and shook my head in disbelief, laughing with myself. Well dip me in honey & tie me to an ant hill – this is actually happening.
I had become comfortable with the silence in the lobby at that point. It was just me, my natural high on happiness and the humming of the fluorescent lights above me. I was able to digest everything and coax myself to believe that this was all going to be a piece of cake because so far, so good!
But then...
The elevator light went on again and chimed; my stomach turned. As my eyes slowly shifted in that direction, the gold-plated doors slid open like pearly gates and there he was, Daniel Johns, in all MY glory.
I didn’t know what to do. Where is Rob? Where is John? Where am I? What is happening??
Our eyes met as he walked by. He smiled and nodded, “Hello!”
I said "Hi" back in the tone of a complete tool, I’m sure.
He disappeared for about 20 seconds looking for his manager.
When Rob and Daniel came back into the lobby, I stood up and took on my mission: be cool.
“Daniel, this is Dana. She’ll be interviewing you today.”
He smiled and said shyly, “Hi Dana.”
We shook hands, and I went white. I felt it.
Oh God, he knows I exist.
His fair blonde shag fell around his meek face very neatly. He was wearing a pair of aviator shades with one of the lenses popped out. He looked like a pirate, but he’s Daniel Johns; he’s allowed to do that. His minty green eye peered out from the empty frame; his lashes streaked with dark mascara. His skin was perfect. Dangit, he was freaking pretty.
With his worn-out looking jeans, he wore a baby blue collared shirt underneath a taupe blazer. On his blazer, he wore a “NO FUR” pin. Poor pretty vegan doesn't eat bacon. Even Daniel Johns had faults, I guess.
Rob led us to the lounge. We picked a table and sat down. The table was so small that I could have reach over and poked him in the face. I should have. Haha. Imagine? A little "boop" on his nose.
Instead, I got down to business.
I asked him a bunch of questions about song-writing. What comes first, the lyrics or the melody? What is your favourite instrument to write music on? Which song on Diorama are you most proud of? Which do you feel closest to? Etc.
He was very genuine and polite. He answered all of my questions very thoroughly and honestly. Some of his answers just made me love and admire hime more.
He was very shy. He’d smile or giggle nervously at times, and he covered his mouth a lot which I found odd since he had an immaculate set of teeth. Regardless, he was just so...nice. It was such a relief.
After the interview, which was absolutely the quickest twenty minutes of my life, I thanked him and shook his hand. Rob came back and I asked Daniel if I could get Rob to take a photo of us together. He was happy to. We did the stereotypical fan/celebrity pose with one arm around the other. As I packed my things, they discussed getting coffee before heading over to 102.1 The Edge for Silverchair’s radio station interview at 3:30 p.m. As Daniel went to exit the room, he stopped and turned back. “Hey Dana, thank you!”
My heart melted into a puddle of goo. Like a total dork, I responded, “Oh, thank YOU. I’ll be at the show tonight! Have fun!”
WOMPwomp. Lol. What the hell!? Have fun? Facepalm. Eugh.
To be honest, I didn’t even attend the show that night. I was so sore and tired from the night before, not to mention emotionally/mentally drained. I just wanted to go home, lay on my bed and replay the dream that wasn’t a dream after all.
On the way home, I tuned into 102.1 The Edge to listen to the interview. I was thrilled to hear all of the ridiculous and lame questions the DJs were asking him. Stuff about his eating disorder, his terrible, life-threatening arthritis, his marriage...
It just made me happy to know that my interview earned his respect and earned me some great answers to work with.
Success!
And just because - here is my absolute favourite performance of Silverchair's.
If you don't want to watch the entire thing, (though it's a gorgeous performance and I encourage you to!) at least check out from 7:06 minutes in to 7:59. HIS. VOICE.